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system of destruction shall go no farther; I will accept the hearse,
under protest, and you may fly your flag of truce in peace, but here I
register a dark and bloody oath that you shan't sing. Another yelp, and
overboard you go."
I began to feel that the old Venice of song and story had departed
forever. But I was too hasty. In a few minutes we swept gracefully out
into the Grand Canal, and under the mellow moonlight the Venice of poetry
and romance stood revealed. Right from the water's edge rose long lines
of stately palaces of marble; gondolas were gliding swiftly hither and
thither and disappearing suddenly through unsuspected gates and alleys;
ponderous stone bridges threw their shadows athwart the glittering waves.
There was life and motion everywhere, and yet everywhere there was a
hush, a stealthy sort of stillness, that was suggestive of secret
enterprises of bravoes and of lovers; and clad half in moonbeams and half
in mysterious shadows, the grim old mansions of the Republic seemed to
have an expression about them of having an eye out for just such
enterprises as these at that same moment. Music came floating over the
waters--Venice was complete.
It was a beautiful picture--very soft and dreamy and beautiful. But what
was this Venice to compare with the Venice of midnight? Nothing. There
was a fete--a grand fete in honor of some saint who had been instrumental
in checking the cholera three hundred years ago, and all Venice was
abroad on the water. It was no common affair, for the Venetians did not
know how soon they might need the saint's services again, now that the
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