The Art of Writing and Other Essays


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perhaps had less enjoyment; for, in the absence of my wife, who is  
my usual helper in these times of parturition, I must spur her up  
at all seasons to hear me relate and try to clarify my unformed  
fancies.  
And while I was groping for the fable and the character required,  
behold I found them lying ready and nine years old in my memory.  
Pease porridge hot, pease porridge cold, pease porridge in the pot,  
nine years old. Was there ever a more complete justification of  
the rule of Horace? Here, thinking of quite other things, I had  
stumbled on the solution, or perhaps I should rather say (in  
stagewright phrase) the Curtain or final Tableau of a story  
conceived long before on the moors between Pitlochry and  
Strathardle, conceived in Highland rain, in the blend of the smell  
of heather and bog-plants, and with a mind full of the Athole  
correspondence and the memories of the dumlicide Justice. So long  
ago, so far away it was, that I had first evoked the faces and the  
mutual tragic situation of the men of Durrisdeer.  
My story was now world-wide enough: Scotland, India, and America  
being all obligatory scenes. But of these India was strange to me  
except in books; I had never known any living Indian save a Parsee,  
a member of my club in London, equally civilised, and (to all  
seeing) equally accidental with myself. It was plain, thus far,  
that I should have to get into India and out of it again upon a  
foot of fairy lightness; and I believe this first suggested to me  
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