The Art of Writing and Other Essays


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resuscitated fakir, which I had been often told by an uncle of  
mine, then lately dead, Inspector-General John Balfour.  
On such a fine frosty night, with no wind and the thermometer below  
zero, the brain works with much vivacity; and the next moment I had  
seen the circumstance transplanted from India and the tropics to  
the Adirondack wilderness and the stringent cold of the Canadian  
border. Here then, almost before I had begun my story, I had two  
countries, two of the ends of the earth involved: and thus though  
the notion of the resuscitated man failed entirely on the score of  
general acceptation, or even (as I have since found) acceptability,  
it fitted at once with my design of a tale of many lands; and this  
decided me to consider further of its possibilities. The man who  
should thus be buried was the first question: a good man, whose  
return to life would be hailed by the reader and the other  
characters with gladness? This trenched upon the Christian  
picture, and was dismissed. If the idea, then, was to be of any  
use at all for me, I had to create a kind of evil genius to his  
friends and family, take him through many disappearances, and make  
this final restoration from the pit of death, in the icy American  
wilderness, the last and the grimmest of the series. I need not  
tell my brothers of the craft that I was now in the most  
interesting moment of an author's life; the hours that followed  
that night upon the balcony, and the following nights and days,  
whether walking abroad or lying wakeful in my bed, were hours of  
unadulterated joy. My mother, who was then living with me alone,  
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