The Works of Edgar Allan Poe - Volume 1


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makes, in silence, a host of observations and inferences. So, perhaps,  
do his companions; and the difference in the extent of the information  
obtained, lies not so much in the validity of the inference as in the  
quality of the observation. The necessary knowledge is that of what to  
observe. Our player confines himself not at all; nor, because the game  
is the object, does he reject deductions from things external to the  
game. He examines the countenance of his partner, comparing it carefully  
with that of each of his opponents. He considers the mode of assorting  
the cards in each hand; often counting trump by trump, and honor by  
honor, through the glances bestowed by their holders upon each. He notes  
every variation of face as the play progresses, gathering a fund  
of thought from the differences in the expression of certainty, of  
surprise, of triumph, or of chagrin. From the manner of gathering up  
a trick he judges whether the person taking it can make another in the  
suit. He recognises what is played through feint, by the air with  
which it is thrown upon the table. A casual or inadvertent word; the  
accidental dropping or turning of a card, with the accompanying anxiety  
or carelessness in regard to its concealment; the counting of the  
tricks, with the order of their arrangement; embarrassment, hesitation,  
eagerness or trepidation--all afford, to his apparently intuitive  
perception, indications of the true state of affairs. The first two  
or three rounds having been played, he is in full possession of the  
contents of each hand, and thenceforward puts down his cards with as  
absolute a precision of purpose as if the rest of the party had turned  
outward the faces of their own.  
194  


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192 193 194 195 196

Quick Jump
1 90 180 269 359