The Notebooks of Leonardo Da Vinci Complete


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object, set up by a perpendicular line as shown at r s--then, I  
say, that if you were to look at the side of the square that is  
nearest to you it will appear at the bottom of the vertical plane r  
s, and then look at the farther side and it would appear to you at  
the height of the point n on the vertical plane. Thus, by this  
example, you can understand that if the eye is above a number of  
objects all placed on the same level, one beyond another, the more  
remote they are the higher they will seem, up to the level of the  
eye, but no higher; because objects placed upon the level on which  
your feet stand, so long as it is flat--even if it be extended into  
infinity--would never be seen above the eye; since the eye has in  
itself the point towards which all the cones tend and converge which  
convey the images of the objects to the eye. And this point always  
coincides with the point of diminution which is the extreme of all  
we can see. And from the base line of the first pyramid as far as  
the diminishing point  
[Footnote: The two diagrams above the chapter are explained by the  
first five lines. They have, however, more letters than are referred  
to in the text, a circumstance we frequently find occasion to  
remark.]  
5
6.  
there are only bases without pyramids which constantly diminish up  
to this point. And from the first base where the vertical plane is  
6
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58 59 60 61 62

Quick Jump
1 306 613 919 1225