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5
01.
OF THE MISERABLE PRETENCES MADE BY THOSE WHO FALSELY AND
UNWORTHILY
ACQUIRE THE NAME OF PAINTERS.
Now there is a certain race of painters who, having studied but
little, must need take as their standard of beauty mere gold and
azure, and these, with supreme conceit, declare that they will not
give good work for miserable payment, and that they could do as well
as any other if they were well paid. But, ye foolish folks! cannot
such artists keep some good work, and then say: this is a costly
work and this more moderate and this is average work and show that
they can work at all prices?
A caution against one-sided study.
5
02.
HOW, IN IMPORTANT WORKS, A MAN SHOULD NOT TRUST ENTIRELY TO HIS
MEMORY WITHOUT CONDESCENDING TO DRAW FROM NATURE.
Any master who should venture to boast that he could remember all
the forms and effects of nature would certainly appear to me to be
graced with extreme ignorance, inasmuch as these effects are
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