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about it; every where were those groups of fantastic pagans; overhead the
gaudy mosaics and the web of lamp-ropes--nowhere was there any thing to
win one's love or challenge his admiration.
The people who go into ecstasies over St. Sophia must surely get them out
of the guide-book (where every church is spoken of as being "considered
by good judges to be the most marvelous structure, in many respects, that
the world has ever seen.") Or else they are those old connoisseurs from
the wilds of New Jersey who laboriously learn the difference between a
fresco and a fire-plug and from that day forward feel privileged to void
their critical bathos on painting, sculpture and architecture forever
more.
We visited the Dancing Dervishes. There were twenty-one of them. They
wore a long, light-colored loose robe that hung to their heels. Each in
his turn went up to the priest (they were all within a large circular
railing) and bowed profoundly and then went spinning away deliriously and
took his appointed place in the circle, and continued to spin. When all
had spun themselves to their places, they were about five or six feet
apart--and so situated, the entire circle of spinning pagans spun itself
three separate times around the room. It took twenty-five minutes to do
it. They spun on the left foot, and kept themselves going by passing the
right rapidly before it and digging it against the waxed floor. Some of
them made incredible "time." Most of them spun around forty times in a
minute, and one artist averaged about sixty-one times a minute, and kept
it up during the whole twenty-five. His robe filled with air and stood
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