The Innocents Abroad


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to judge by--none but the people, and I had not noticed them. They were  
insects. The statues of children holding vases of holy water were  
immense, according to the tables of figures, but so was every thing else  
around them. The mosaic pictures in the dome were huge, and were made  
of  
thousands and thousands of cubes of glass as large as the end of my  
little finger, but those pictures looked smooth, and gaudy of color, and  
in good proportion to the dome. Evidently they would not answer to  
measure by. Away down toward the far end of the church (I thought it was  
really clear at the far end, but discovered afterward that it was in the  
centre, under the dome,) stood the thing they call the baldacchino--a  
great bronze pyramidal frame-work like that which upholds a mosquito bar.  
It only looked like a considerably magnified bedstead--nothing more. Yet  
I knew it was a good deal more than half as high as Niagara Falls. It  
was overshadowed by a dome so mighty that its own height was snubbed.  
The four great square piers or pillars that stand equidistant from each  
other in the church, and support the roof, I could not work up to their  
real dimensions by any method of comparison. I knew that the faces of  
each were about the width of a very large dwelling-house front, (fifty or  
sixty feet,) and that they were twice as high as an ordinary three-story  
dwelling, but still they looked small. I tried all the different ways I  
could think of to compel myself to understand how large St. Peter's was,  
but with small success. The mosaic portrait of an Apostle who was  
writing with a pen six feet long seemed only an ordinary Apostle.  
But the people attracted my attention after a while. To stand in the  
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