The Gilded Age


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crawled out of the briars and the mud, and got upon the track. He was  
somewhat bruised, but he was too angry to mind that. He plodded along  
over the ties in a very hot condition of mind and body. In the scuffle,  
his railway check had disappeared, and he grimly wondered, as he noticed  
the loss, if the company would permit him to walk over their track if  
they should know he hadn't a ticket.  
Philip had to walk some five miles before he reached a little station,  
where he could wait for a train, and he had ample time for reflection.  
At first he was full of vengeance on the company. He would sue it. He  
would make it pay roundly. But then it occurred to him that he did not  
know the name of a witness he could summon, and that a personal fight  
against a railway corporation was about the most hopeless in the world.  
He then thought he would seek out that conductor, lie in wait for him at  
some station, and thrash him, or get thrashed himself.  
But as he got cooler, that did not seem to him a project worthy of a  
gentleman exactly. Was it possible for a gentleman to get even with such  
a fellow as that conductor on the letter's own plane? And when he came  
to this point, he began to ask himself, if he had not acted very much  
like a fool. He didn't regret striking the fellow--he hoped he had left  
a mark on him. But, after all, was that the best way? Here was he,  
Philip Sterling, calling himself a gentleman, in a brawl with a vulgar  
conductor, about a woman he had never seen before. Why should he have  
put himself in such a ridiculous position? Wasn't it enough to have  
offered the lady his seat, to have rescued her from an accident, perhaps  
306  


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