The Art of Writing and Other Essays


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into space a thousand cobwebs of genteel and ethical illusion, and,  
having thus shaken my tabernacle of lies, set me back again upon a  
strong foundation of all the original and manly virtues. But it  
is, once more, only a book for those who have the gift of reading.  
I will be very frank--I believe it is so with all good books  
except, perhaps, fiction. The average man lives, and must live, so  
wholly in convention, that gunpowder charges of the truth are more  
apt to discompose than to invigorate his creed. Either he cries  
out upon blasphemy and indecency, and crouches the closer round  
that little idol of part-truths and part-conveniences which is the  
contemporary deity, or he is convinced by what is new, forgets what  
is old, and becomes truly blasphemous and indecent himself. New  
truth is only useful to supplement the old; rough truth is only  
wanted to expand, not to destroy, our civil and often elegant  
conventions. He who cannot judge had better stick to fiction and  
the daily papers. There he will get little harm, and, in the first  
at least, some good.  
Close upon the back of my discovery of Whitman, I came under the  
influence of Herbert Spencer. No more persuasive rabbi exists, and  
few better. How much of his vast structure will bear the touch of  
time, how much is clay and how much brass, it were too curious to  
inquire. But his words, if dry, are always manly and honest; there  
dwells in his pages a spirit of highly abstract joy, plucked naked  
like an algebraic symbol but still joyful; and the reader will find  
there a caput mortuum of piety, with little indeed of its  
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