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every thing a fitful and garish lustre. All was dark yet splendid--as
that ebony to which has been likened the style of Tertullian.
The wild effects of the light enchained me to an examination of
individual faces; and although the rapidity with which the world of
light flitted before the window, prevented me from casting more than
a glance upon each visage, still it seemed that, in my then peculiar
mental state, I could frequently read, even in that brief interval of a
glance, the history of long years.
With my brow to the glass, I was thus occupied in scrutinizing the mob,
when suddenly there came into view a countenance (that of a decrepid old
man, some sixty-five or seventy years of age,)--a countenance which
at once arrested and absorbed my whole attention, on account of the
absolute idiosyncrasy of its expression. Any thing even remotely
resembling that expression I had never seen before. I well remember that
my first thought, upon beholding it, was that Retzch, had he viewed it,
would have greatly preferred it to his own pictural incarnations of the
fiend. As I endeavored, during the brief minute of my original survey,
to form some analysis of the meaning conveyed, there arose confusedly
and paradoxically within my mind, the ideas of vast mental power, of
caution, of penuriousness, of avarice, of coolness, of malice, of
blood thirstiness, of triumph, of merriment, of excessive terror,
of intense--of supreme despair. I felt singularly aroused, startled,
fascinated. "How wild a history," I said to myself, "is written within
that bosom!" Then came a craving desire to keep the man in view--to know
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