The Works of Edgar Allan Poe - Volume 5


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several advantages for versification over our own, chiefly through  
greater abundance of spondaic: feet, we have other and very great  
advantages of sound by the modern usage of rhyme. Alliteration is nearly  
the only effect of that kind which the ancients had in common with  
us. It will be seen that much of the melody of 'The Raven' arises from  
alliteration, and the studious use of similar sounds in unusual places.  
In regard to its measure, it may be noted that if all the verses were  
like the second, they might properly be placed merely in short lines,  
producing a not uncommon form; but the presence in all the others of  
one line-mostly the second in the verse" (stanza?)--"which flows  
continuously, with only an aspirate pause in the middle, like that  
before the short line in the Sapphic Adonic, while the fifth has at the  
middle pause no similarity of sound with any part besides, gives the  
versification an entirely different effect. We could wish the capacities  
of our noble language in prosody were better understood."--ED. "Am.  
Rev."]  
2
. The bibliographical history of "The Bells" is curious. The subject,  
and some lines of the original version, having been suggested by the  
poet's friend, Mrs. Shew, Poe, when he wrote out the first draft of the  
poem, headed it, "The Bells, By Mrs. M. A. Shew." This draft, now the  
editor's property, consists of only seventeen lines, and read thus:  
I.  
The bells!-ah, the bells!  
248  


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