The Works of Edgar Allan Poe - Volume 5


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alluded--but this was by no means the case. Indeed to say the truth,  
that trait of mind in the philosophic Bon-Bon did begin at length to  
assume a character of strange intensity and mysticism, and appeared  
deeply tinctured with the diablerie of his favorite German studies.  
To enter the little Cafe in the cul-de-sac Le Febvre was, at the period  
of our tale, to enter the sanctum of a man of genius. Bon-Bon was a man  
of genius. There was not a sous-cusinier in Rouen, who could not have  
told you that Bon-Bon was a man of genius. His very cat knew it, and  
forebore to whisk her tail in the presence of the man of genius. His  
large water-dog was acquainted with the fact, and upon the approach  
of his master, betrayed his sense of inferiority by a sanctity of  
deportment, a debasement of the ears, and a dropping of the lower jaw  
not altogether unworthy of a dog. It is, however, true that much of this  
habitual respect might have been attributed to the personal appearance  
of the metaphysician. A distinguished exterior will, I am constrained to  
say, have its way even with a beast; and I am willing to allow much  
in the outward man of the restaurateur calculated to impress the  
imagination of the quadruped. There is a peculiar majesty about the  
atmosphere of the little great--if I may be permitted so equivocal an  
expression--which mere physical bulk alone will be found at all times  
inefficient in creating. If, however, Bon-Bon was barely three feet in  
height, and if his head was diminutively small, still it was impossible  
to behold the rotundity of his stomach without a sense of magnificence  
nearly bordering upon the sublime. In its size both dogs and men  
must have seen a type of his acquirements--in its immensity a fitting  
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