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country, by adapting its means to the surrounding scenery, cultivating
trees in harmony with the hills or plain of the neighboring land;
detecting and bringing into practice those nice relations of size,
proportion, and color which, hid from the common observer, are revealed
everywhere to the experienced student of nature. The result of the
natural style of gardening, is seen rather in the absence of all
defects and incongruities--in the prevalence of a healthy harmony and
order--than in the creation of any special wonders or miracles. The
artificial style has as many varieties as there are different tastes
to gratify. It has a certain general relation to the various styles of
building. There are the stately avenues and retirements of Versailles;
Italian terraces; and a various mixed old English style, which
bears some relation to the domestic Gothic or English Elizabethan
architecture. Whatever may be said against the abuses of the artificial
landscape--gardening, a mixture of pure art in a garden scene adds to it
a great beauty. This is partly pleasing to the eye, by the show of
order and design, and partly moral. A terrace, with an old moss--covered
balustrade, calls up at once to the eye the fair forms that have passed
there in other days. The slightest exhibition of art is an evidence of
care and human interest."
"
From what I have already observed," said Ellison, "you will understand
that I reject the idea, here expressed, of recalling the original beauty
of the country. The original beauty is never so great as that which may
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