The Works of Edgar Allan Poe - Volume 2


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than by calling it a habit of intense and continual thought,  
pervading even his most trivial actions--intruding upon his moments  
of dalliance--and interweaving itself with his very flashes of  
merriment--like adders which writhe from out the eyes of the grinning  
masks in the cornices around the temples of Persepolis.  
I could not help, however, repeatedly observing, through the mingled  
tone of levity and solemnity with which he rapidly descanted upon  
matters of little importance, a certain air of trepidation--a degree of  
nervous unction in action and in speech--an unquiet excitability of  
manner which appeared to me at all times unaccountable, and upon some  
occasions even filled me with alarm. Frequently, too, pausing in the  
middle of a sentence whose commencement he had apparently forgotten,  
he seemed to be listening in the deepest attention, as if either in  
momentary expectation of a visiter, or to sounds which must have had  
existence in his imagination alone.  
It was during one of these reveries or pauses of apparent abstraction,  
that, in turning over a page of the poet and scholar Politian's  
beautiful tragedy "The Orfeo," (the first native Italian tragedy,)  
which lay near me upon an ottoman, I discovered a passage underlined in  
pencil. It was a passage towards the end of the third act--a passage of  
the most heart-stirring excitement--a passage which, although tainted  
with impurity, no man shall read without a thrill of novel emotion--no  
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