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blunt projection, until its end was hidden behind the mound of clay.
In another second it had lifted a bar of white aluminium into sight,
untarnished as yet, and shining dazzlingly, and deposited it in a
growing stack of bars that stood at the side of the pit. Between
sunset and starlight this dexterous machine must have made more than a
hundred such bars out of the crude clay, and the mound of bluish dust
rose steadily until it topped the side of the pit.
The contrast between the swift and complex movements of these
contrivances and the inert panting clumsiness of their masters was
acute, and for days I had to tell myself repeatedly that these latter
were indeed the living of the two things.
The curate had possession of the slit when the first men were
brought to the pit. I was sitting below, huddled up, listening with
all my ears. He made a sudden movement backward, and I, fearful that
we were observed, crouched in a spasm of terror. He came sliding down
the rubbish and crept beside me in the darkness, inarticulate,
gesticulating, and for a moment I shared his panic. His gesture
suggested a resignation of the slit, and after a little while my
curiosity gave me courage, and I rose up, stepped across him, and
clambered up to it. At first I could see no reason for his frantic
behaviour. The twilight had now come, the stars were little and
faint, but the pit was illuminated by the flickering green fire that
came from the aluminium-making. The whole picture was a flickering
scheme of green gleams and shifting rusty black shadows, strangely
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