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writings collected in this section, the transcript of Leonardo's
fanciful nature, and we should probably not be far wrong in
assuming, that he himself had recited these fables in the company of
his friends or at the court festivals of princes and patrons. Era
tanto piacevole nella conversazione-- so relates Vasari--che
tirava a se gli animi delle genti. And Paulus Jovius says in his
short biography of the artist: Fuit ingenio valde comi, nitido,
liberali, vultu autem longe venustissimo, et cum elegantiae omnis
deliciarumque maxime theatralium mirificus inventor ac arbiter
esset, ad lyramque scito caneret, cunctis per omnem aetatem
principibus mire placuit. There can be no doubt that the fables are
the original offspring of Leonardo's brain, and not borrowed from
any foreign source; indeed the schemes and plans for the composition
of fables collected in division V seem to afford an external proof
of this, if the fables themselves did not render it self-evident.
Several of them-- for instance No. l279--are so strikingly
characteristic of Leonardo's views of natural science that we cannot
do them justice till we are acquainted with his theories on such
subjects; and this is equally true of the 'Prophecies'.
I have prefixed to these quaint writings the 'Studies on the life
and habits of animals' which are singular from their peculiar
aphoristic style, and I have transcribed them in exactly the order
in which they are written in MS. H. This is one of the very rare
instances in which one subject is treated in a consecutive series of
notes, all in one MS., and Leonardo has also departed from his
953
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