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[Footnote: 7. oro. fango: gold, clay. These words stand below the
allegorical figure.]
If you take Pleasure know that he has behind him one who will deal
you Tribulation and Repentance.
[9] This represents Pleasure together with Pain, and show them as
twins because one is never apart from the other. They are back to
back because they are opposed to each other; and they exist as
contraries in the same body, because they have the same basis,
inasmuch as the origin of pleasure is labour and pain, and the
various forms of evil pleasure are the origin of pain. Therefore it
is here represented with a reed in his right hand which is useless
and without strength, and the wounds it inflicts are poisoned. In
Tuscany they are put to support beds, to signify that it is here
that vain dreams come, and here a great part of life is consumed. It
is here that much precious time is wasted, that is, in the morning,
when the mind is composed and rested, and the body is made fit to
begin new labours; there again many vain pleasures are enjoyed; both
by the mind in imagining impossible things, and by the body in
taking those pleasures that are often the cause of the failing of
life. And for these reasons the reed is held as their support.
[
Footnote: 676. The pen and ink drawing on PI. LIX belongs to this
passage.]
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