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Count Giovanni, the one with the Cardinal of Mortaro.
[Footnote: As this note is in the same small Manuscript as the
passage here immediately preceding it, I may be justified in
assuming that Leonardo meant to use the features of the person here
named as a suitable model for the figure of Christ. The celebrated
drawing of the head of Christ, now hanging in the Brera Gallery at
Milan, has obviously been so much restored that it is now impossible
to say, whether it was ever genuine. We have only to compare it with
the undoubtedly genuine drawings of heads of the disciples in PI.
XLVII, XLVIII and L, to admit that not a single line of the Milan
drawing in its present state can be by the same hand.]
6
68.
Philip, Simon, Matthew, Thomas, James the Greater, Peter, Philip,
Andrew, Bartholomew.
[Footnote: See PI. XLVI. The names of the disciples are given in the
order in which they are written in the original, from right to left,
above each head. The original drawing is here slightly reduced in
scale; it measures 39 centimetres in length by 26 in breadth.]
6
69.
491
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