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original work itself. The wood-cut given on p. 344, is only intended
to give a general notion of the composition. It must be understood
that the outline and expression of the heads, which in the picture
is obscured but not destroyed, is here altogether missed. The
facsimiles which follow are from drawings which appear to me to be
studies for "La Vierge aux Rochers."
1
. A drawing in silver point on brown toned paper of a woman's head
looking to the left. In the Royal Library at Turin, apparently a
study from nature for the Angel's head (Pl. XLII).
2. A study of drapery for the left leg of the same figure, done with
the brush, Indian ink on greenish paper, the lights heightened with
white.
The original is at Windsor, No. 223. The reproduction Pl. XLIII is
defective in the shadow on the upper part of the thigh, which is not
so deep as in the original; it should also be observed that the
folds of the drapery near the hips are somewhat altered in the
finished work in the Louvre, while the London copy shows a greater
resemblance to this study in that particular.
3
. A study in red chalk for the bust of the Infant Christ--No. 3 in
the Windsor collection (Pl. XLIV). The well-known silver-point
drawing on pale green paper, in the Louvre, of a boy's head (No. 363
in REISET, Notice des dessins, Ecoles d'Italie) seems to me to be
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