The Notebooks of Leonardo Da Vinci Complete


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whatever to regulate the division and construction of the sentences,  
nor are there any accents--and the reader may imagine that such  
difficulties were almost sufficient to make the task seem a  
desperate one to a beginner. It is therefore not surprising that the  
good intentions of some of Leonardo s most reverent admirers should  
have failed.  
Leonardos literary labours in various departments both of Art and of  
Science were those essentially of an enquirer, hence the analytical  
method is that which he employs in arguing out his investigations  
and dissertations. The vast structure of his scientific theories is  
consequently built up of numerous separate researches, and it is  
much to be lamented that he should never have collated and arranged  
them. His love for detailed research--as it seems to me--was the  
reason that in almost all the Manuscripts, the different paragraphs  
appear to us to be in utter confusion; on one and the same page,  
observations on the most dissimilar subjects follow each other  
without any connection. A page, for instance, will begin with some  
principles of astronomy, or the motion of the earth; then come the  
laws of sound, and finally some precepts as to colour. Another page  
will begin with his investigations on the structure of the  
intestines, and end with philosophical remarks as to the relations  
of poetry to painting; and so forth.  
Leonardo himself lamented this confusion, and for that reason I do  
not think that the publication of the texts in the order in which  
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