The Notebooks of Leonardo Da Vinci Complete


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limbs.  
3
66.  
OF PAINTING.  
Every part of the whole must be in proportion to the whole. Thus, if  
a man is of a stout short figure he will be the same in all his  
parts: that is with short and thick arms, wide thick hands, with  
short fingers with their joints of the same character, and so on  
with the rest. I would have the same thing understood as applying to  
all animals and plants; in diminishing, [the various parts] do so in  
due proportion to the size, as also in enlarging.  
3
67.  
OF THE AGREEMENT OF THE PROPORTION OF THE LIMBS.  
And again, remember to be very careful in giving your figures limbs,  
that they must appear to agree with the size of the body and  
likewise to the age. Thus a youth has limbs that are not very  
muscular not strongly veined, and the surface is delicate and round,  
and tender in colour. In man the limbs are sinewy and muscular,  
while in old men the surface is wrinkled, rugged and knotty, and the  
sinews very prominent.  
269  


Page
267 268 269 270 271

Quick Jump
1 306 613 919 1225