The Notebooks of Leonardo Da Vinci Complete


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circumstances which I will not mention, as these suffice for my  
purpose.  
VI.  
'Prospettiva de' colri' (Perspective of Colour)  
and  
'Prospettiva aerea' (Aerial Perspective).  
Leonardo distinctly separates these branches of his subject, as may  
be seen in the beginning of No. 295. Attempts have been made to  
cast doubts on the results which Leonardo arrived at by experiment  
on the perspective of colour, but not with justice, as may be seen  
from the original text of section 294.  
The question as to the composition of the atmosphere, which is  
inseparable from a discussion on Aerial Perspective, forms a  
separate theory which is treated at considerable length. Indeed the  
author enters into it so fully that we cannot escape the conviction  
that he must have dwelt with particular pleasure on this part of his  
subject, and that he attached great importance to giving it a  
character of general applicability.  
General rules (289--291).  
215  


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