| 18 | 19 | 20 | 21 | 22 |
| 1 | 306 | 613 | 919 | 1225 |
|
(509).--On the construction of windows (510--512).--On the best
light for painting (513--520).--On various helps in preparing a
picture (521--530).--On the management of works (531. 532).--On the
limitations of painting (533--535).--On the choice of a position
(
536. 537).--The apparent size of figures in a picture (538.
39).--The right position of the artist, when painting and of the
5
spectator (540--547).--III. THE PRACTICAL METHODS OF LIGHT AND SHADE
AND AERIAL PERSPECTIVE.--Gradations of light and shade (548).--On
the choice of light for a picture (549--554).--The distribution of
light and shade (555--559).--The juxtaposition of light and shade
(
560. 561).--On the lighting of the background (562--565).--On the
lighting of white objects (566).--The methods of aerial perspective
567--570).--IV. OF PORTRAIT AND FIGURE PAINTING.--Of sketching
figures and portraits (571. 572).--The position of the head
573).--Of the light on the face (574--576).--General suggestions
(
(
for historical pictures (577--581).--How to represent the
differences of age and sex (582. 583).--Of representing the emotions
(584).--Of representing imaginary animals (585).--The selection of
forms (586--591).--How to pose figures (592).--Of appropriate
gestures (593--600).--V. SUGGESTIONS FOR COMPOSITIONS.--Of painting
battle-pieces (601--603).--Of depicting night-scenes (604).--Of
depicting a tempest (605. 606).--Of representing the deluge
(
607--609).--Of depicting natural phenomena (610. 611).--VI. THE
ARTIST'S MATERIALS.--Of chalk and paper (612--617).--On the
preparation and use of colours (618--627).--Of preparing the panel
(628).--The preparation of oils (629--634).--On varnishes (635--
2
0
Page
Quick Jump
|