The Notebooks of Leonardo Da Vinci Complete


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the nearer appears confused. I say that the eye projects an infinite  
number of lines which mingle or join those reaching it which come to  
it from the object looked at. And it is only the central and  
sensible line that can discern and discriminate colours and objects;  
all the others are false and illusory. And if you place 2 objects at  
half an arm's length apart if the nearer of the two is close to the  
eye its form will remain far more confused than that of the second;  
the reason is that the first is overcome by a greater number of  
false lines than the second and so is rendered vague.  
Light acts in the same manner, for in the effects of its lines  
(=rays), and particularly in perspective, it much resembles the eye;  
and its central rays are what cast the true shadow. When the object  
in front of it is too quickly overcome with dim rays it will cast a  
broad and disproportionate shadow, ill defined; but when the object  
which is to cast the shadow and cuts off the rays near to the place  
where the shadow falls, then the shadow is distinct; and the more so  
in proportion as the light is far off, because at a long distance  
the central ray is less overcome by false rays; because the lines  
from the eye and the solar and other luminous rays passing through  
the atmosphere are obliged to travel in straight lines. Unless they  
are deflected by a denser or rarer air, when they will be bent at  
some point, but so long as the air is free from grossness or  
moisture they will preserve their direct course, always carrying the  
image of the object that intercepts them back to their point of  
origin. And if this is the eye, the intercepting object will be seen  
115  


Page
113 114 115 116 117

Quick Jump
1 306 613 919 1225