The Notebooks of Leonardo Da Vinci Complete


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C.], I will now consider the places on which they fall; and their  
curvature, obliquity, flatness or, in short, any character I may be  
able to detect in them.]  
Shadow is the obstruction of light. Shadows appear to me to be of  
supreme importance in perspective, because, without them opaque and  
solid bodies will be ill defined; that which is contained within  
their outlines and their boundaries themselves will be  
ill-understood unless they are shown against a background of a  
different tone from themselves. And therefore in my first  
proposition concerning shadow I state that every opaque body is  
surrounded and its whole surface enveloped in shadow and light. And  
on this proposition I build up the first Book. Besides this, shadows  
have in themselves various degrees of darkness, because they are  
caused by the absence of a variable amount of the luminous rays; and  
these I call Primary shadows because they are the first, and  
inseparable from the object to which they belong. And on this I will  
found my second Book. From these primary shadows there result  
certain shaded rays which are diffused through the atmosphere and  
these vary in character according to that of the primary shadows  
whence they are derived. I shall therefore call these shadows  
Derived shadows because they are produced by other shadows; and the  
third Book will treat of these. Again these derived shadows, where  
they are intercepted by various objects, produce effects as various  
as the places where they are cast and of this I will treat in the  
fourth Book. And since all round the derived shadows, where the  
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Page
102 103 104 105 106

Quick Jump
1 306 613 919 1225