The Man Who Laughs


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nose violently as a ventriloquist ought. Having returned his  
handkerchief to his pocket, he drew the pegs out of the pulleys, which  
creaked as usual as the platform was let down.  
"
Gwynplaine, do not draw the curtain until the performance begins. We  
are not alone.--You two come on in front. Music, ladies! turn, turn,  
turn.--A pretty audience we have! the dregs of the people. Good  
heavens!"  
The two gipsies, stupidly obedient, placed themselves in their usual  
corners of the platform. Then Ursus became wonderful. It was no longer a  
man, but a crowd. Obliged to make abundance out of emptiness, he called  
to aid his prodigious powers of ventriloquism. The whole orchestra of  
human and animal voices which was within him he called into tumult at  
once.  
He was legion. Any one with his eyes closed would have imagined that he  
was in a public place on some day of rejoicing, or in some sudden  
popular riot. A whirlwind of clamour proceeded from Ursus: he sang, he  
shouted, he talked, he coughed, he spat, he sneezed, took snuff, talked  
and responded, put questions and gave answers, all at once. The  
half-uttered syllables ran one into another. In the court, untenanted by  
a single spectator, were heard men, women, and children. It was a clear  
confusion of tumult. Strange laughter wound, vapour-like, through the  
noise, the chirping of birds, the swearing of cats, the wailings of  
children at the breast. The indistinct tones of drunken men were to be  
heard, and the growls of dogs under the feet of people who stamped on  
693  


Page
691 692 693 694 695

Quick Jump
1 236 472 708 944