The Man Who Laughs


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He waited. What for? He watched. What for? Such inexorable doors, once  
shut, do not re-open so soon. They are tongue-tied by their stagnation  
in darkness, and move with difficulty, especially when they have to give  
up a prisoner. Entrance is permitted. Exit is quite a different matter.  
Ursus knew this. But waiting is a thing which we have not the power to  
give up at our own will. We wait in our own despite. What we do  
disengages an acquired force, which maintains its action when its object  
has ceased, which keeps possession of us and holds us, and obliges us  
for some time longer to continue that which has already lost its motive.  
Hence the useless watch, the inert position that we have all held at  
times, the loss of time which every thoughtful man gives mechanically to  
that which has disappeared. None escapes this law. We become stubborn in  
a sort of vague fury. We know not why we are in the place, but we remain  
there. That which we have begun actively we continue passively, with an  
exhausting tenacity from which we emerge overwhelmed. Ursus, though  
differing from other men, was, as any other might have been, nailed to  
his post by that species of conscious reverie into which we are plunged  
by events all important to us, and in which we are impotent. He  
scrutinized by turns those two black walls, now the high one, then the  
low; sometimes the door near which the ladder to the gibbet stood, then  
that surmounted by a death's head. It was as if he were caught in a  
vice, composed of a prison and a cemetery. This shunned and unpopular  
street was so deserted that he was unobserved.  
At length he left the arch under which he had taken shelter, a kind of  
chance sentry-box, in which he had acted the watchman, and departed with  
679  


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677 678 679 680 681

Quick Jump
1 236 472 708 944