The Man Who Laughs


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away, separated by panoplies, in relievo, and by busts on small  
pedestals. On the pinnacles, trophies and morions with plumes cut in  
stone alternated with statues of heathen deities.  
In the chamber where Gwynplaine was, on the side opposite the window,  
was a fireplace as high as the ceiling, and on another, under a dais,  
one of those old spacious feudal beds which were reached by a ladder,  
and where you might sleep lying across; the joint-stool of the bed was  
at its side; a row of armchairs by the walls, and a row of ordinary  
chairs, in front of them, completed the furniture. The ceiling was  
domed. A great wood fire in the French fashion blazed in the fireplace;  
by the richness of the flames, variegated of rose colour and green, a  
judge of such things would have seen that the wood was ash--a great  
luxury. The room was so large that the branches of candles failed to  
light it up. Here and there curtains over doors, falling and swaying,  
indicated communications with other rooms. The style of the room was  
altogether that of the reign of James I.--a style square and massive,  
antiquated and magnificent. Like the carpet and the lining of the  
chamber, the dais, the baldaquin, the bed, the stool, the curtains, the  
mantelpiece, the coverings of the table, the sofas, the chairs, were all  
of purple velvet.  
There was no gilding, except on the ceiling. Laid on it, at equal  
distance from the four angles, was a huge round shield of embossed  
metal, on which sparkled, in dazzling relief, various coats of arms.  
Amongst the devices, on two blazons, side by side, were to be  
distinguished the cap of a baron and the coronet of a marquis. Were they  
657  


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