The Man Who Laughs


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III.  
The manufacture of monsters was practised on a large scale, and  
comprised various branches.  
The Sultan required them, so did the Pope; the one to guard his women,  
the other to say his prayers. These were of a peculiar kind, incapable  
of reproduction. Scarcely human beings, they were useful to  
voluptuousness and to religion. The seraglio and the Sistine Chapel  
utilized the same species of monsters; fierce in the former case, mild  
in the latter.  
They knew how to produce things in those days which are not produced  
now; they had talents which we lack, and it is not without reason that  
some good folk cry out that the decline has come. We no longer know how  
to sculpture living human flesh; this is consequent on the loss of the  
art of torture. Men were once virtuosi in that respect, but are so no  
longer; the art has become so simplified that it will soon disappear  
altogether. In cutting the limbs of living men, in opening their bellies  
and in dragging out their entrails, phenomena were grasped on the moment  
and discoveries made. We are obliged to renounce these experiments now,  
and are thus deprived of the progress which surgery made by aid of the  
executioner.  
The vivisection of former days was not limited to the manufacture of  
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Quick Jump
1 236 472 708 944