The Man Who Laughs


google search for The Man Who Laughs

Return to Master Book Index.

Page
383 384 385 386 387

Quick Jump
1 236 472 708 944

marks the lodging of one who is not royal, he does not put pour, but  
simply the name--as, 'Le Duc de Gesvres, le Duc de Mazarin.'" This  
pour on a door indicated a prince or a favourite. A favourite is worse  
than a prince. The king granted le pour, like a blue ribbon or a  
peerage.  
Avoir le tour in England was less glorious but more real. It was a  
sign of intimate communication with the sovereign. Whoever might be, by  
birth or favour, in a position to receive direct communications from  
majesty, had in the wall of their bedchamber a shaft in which was  
adjusted a bell. The bell sounded, the shaft opened, a royal missive  
appeared on a gold plate or on a cushion of velvet, and the shaft  
closed. This was intimate and solemn, the mysterious in the familiar.  
The shaft was used for no other purpose. The sound of the bell announced  
a royal message. No one saw who brought it. It was of course merely the  
page of the king or the queen. Leicester avait le tour under  
Elizabeth; Buckingham under James I. Josiana had it under Anne, though  
not much in favour. Never was a privilege more envied.  
This privilege entailed additional servility. The recipient was more of  
a servant. At court that which elevates, degrades. Avoir le tour was  
said in French; this circumstance of English etiquette having, probably,  
been borrowed from some old French folly.  
Lady Josiana, a virgin peeress as Elizabeth had been a virgin queen,  
led--sometimes in the City, and sometimes in the country, according to  
the season--an almost princely life, and kept nearly a court, at which  
385  


Page
383 384 385 386 387

Quick Jump
1 236 472 708 944