The Man Who Laughs


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her peerage. Thus it was that while a Catholic amongst her intimate  
friends and the refined of both sexes, she was outwardly a Protestant  
for the benefit of the riffraff.  
This is the pleasant view to take of religion. You enjoy all the good  
things belonging to the official Episcopalian church, and later on you  
die, like Grotius, in the odour of Catholicity, having the glory of a  
mass being said for you by le Père Petau.  
Although plump and healthy, Josiana was, we repeat, a perfect prude.  
At times her sleepy and voluptuous way of dragging out the end of her  
phrases was like the creeping of a tiger's paws in the jungle.  
The advantage of prudes is that they disorganize the human race. They  
deprive it of the honour of their adherence. Beyond all, keep the human  
species at a distance. This is a point of the greatest importance.  
When one has not got Olympus, one must take the Hôtel de Rambouillet.  
Juno resolves herself into Araminta. A pretension to divinity not  
admitted creates affectation. In default of thunderclaps there is  
impertinence. The temple shrivels into the boudoir. Not having the power  
to be a goddess, she is an idol.  
There is besides, in prudery, a certain pedantry which is pleasing to  
women. The coquette and the pedant are neighbours. Their kinship is  
visible in the fop. The subtile is derived from the sensual. Gluttony  
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