The Man Who Laughs


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self-possession of a goddess. To have made her nudity a torment, ever  
eluding a pursuing Tantalus, would have been an amusement to her.  
The king had made her a duchess, and Jupiter a Nereid--a double  
irradiation of which the strange, brightness of this creature was  
composed. In admiring her you felt yourself becoming a pagan and a  
lackey. Her origin had been bastardy and the ocean. She appeared to have  
emerged from the foam. From the stream had risen the first jet of her  
destiny; but the spring was royal. In her there was something of the  
wave, of chance, of the patrician, and of the tempest. She was well read  
and accomplished. Never had a passion approached her, yet she had  
sounded them all. She had a disgust for realizations, and at the same  
time a taste for them. If she had stabbed herself, it would, like  
Lucretia, not have been until afterwards. She was a virgin stained with  
every defilement in its visionary stage. She was a possible Astarte in a  
real Diana. She was, in the insolence of high birth, tempting and  
inaccessible. Nevertheless, she might find it amusing to plan a fall for  
herself. She dwelt in a halo of glory, half wishing to descend from it,  
and perhaps feeling curious to know what a fall was like. She was a  
little too heavy for her cloud. To err is a diversion. Princely  
unconstraint has the privilege of experiment, and what is frailty in a  
plebeian is only frolic in a duchess. Josiana was in everything--in  
birth, in beauty, in irony, in brilliancy--almost a queen. She had felt  
a moment's enthusiasm for Louis de Bouffles, who used to break  
horseshoes between his fingers. She regretted that Hercules was dead.  
She lived in some undefined expectation of a voluptuous and supreme  
ideal.  
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