The Man Who Laughs


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shipwrecked men in the shape of a single dark band, a sort of black blot  
on the horizon.  
Shipwreck is the ideal of helplessness; to be near land, and unable to  
reach it; to float, yet not to be able to do so in any desired  
direction; to rest the foot on what seems firm and is fragile; to be  
full of life, when o'ershadowed by death; to be the prisoner of space;  
to be walled in between sky and ocean; to have the infinite overhead  
like a dungeon; to be encompassed by the eluding elements of wind and  
waves; and to be seized, bound, paralyzed--such a load of misfortune  
stupefies and crushes us. We imagine that in it we catch a glimpse of  
the sneer of the opponent who is beyond our reach. That which holds you  
fast is that which releases the birds and sets the fishes free. It  
appears nothing, and is everything. We are dependent on the air which is  
ruffled by our mouths; we are dependent on the water which we catch in  
the hollow of our hands. Draw a glassful from the storm, and it is but a  
cup of bitterness--a mouthful is nausea, a waveful is extermination. The  
grain of sand in the desert, the foam-flake on the sea, are fearful  
symptoms. Omnipotence takes no care to hide its atom, it changes  
weakness into strength, fills naught with all; and it is with the  
infinitely little that the infinitely great crushes you. It is with its  
drops the ocean dissolves you. You feel you are a plaything.  
A plaything--ghastly epithet!  
The Matutina was a little above Aurigny, which was not an unfavourable  
185  


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183 184 185 186 187

Quick Jump
1 236 472 708 944