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your affections--or, at least, to your tolerance--is gone and nothing is
left but a pallid, stiff and repulsive cadaver.
Such is "talk" almost invariably, as you see it lying in state in an
"
interview". The interviewer seldom tries to tell one how a thing was
said; he merely puts in the naked remark and stops there. When one
writes for print his methods are very different. He follows forms which
have but little resemblance to conversation, but they make the reader
understand what the writer is trying to convey. And when the writer is
making a story and finds it necessary to report some of the talk of his
characters observe how cautiously and anxiously he goes at that risky
and difficult thing. "If he had dared to say that thing in my presence,"
said Alfred, "taking a mock heroic attitude, and casting an arch glance
upon the company, blood would have flowed."
"If he had dared to say that thing in my presence," said Hawkwood,
with that in his eye which caused more than one heart in that guilty
assemblage to quake, "blood would have flowed."
"If he had dared to say that thing in my presence," said the paltry
blusterer, with valor on his tongue and pallor on his lips, "blood would
have flowed."
So painfully aware is the novelist that naked talk in print conveys no
meaning that he loads, and often overloads, almost every utterance
of his characters with explanations and interpretations. It is a loud
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