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Well, I don't care how much you read your truck to me, you can't
permanently damage it for me that way. It is always perfectly fresh and
dazzling when I come on it in the magazine. Of course I recognize the
form of it as being familiar--but that is all. That is, I remember it as
pyrotechnic figures which you set up before me, dead and cold, but
ready for the match--and now I see them touched off and all ablaze with
blinding fires. You can read, if you want to, but you don't read worth
a damn. I know you can read, because your readings of Cable and your
repeatings of the German doctor's remarks prove that.
That's the best drunk scene--because the truest--that I ever read. There
are touches in it that I never saw any writer take note of before. And
they are set before the reader with amazing accuracy. How very drunk,
and how recently drunk, and how altogether admirably drunk you must
have
been to enable you to contrive that masterpiece!
Why I didn't notice that that religious interview between Marcia and
Mrs. Halleck was so deliciously humorous when you read it to me--but
dear me, it's just too lovely for anything. (Wrote Clark to collar it
for the "Library.")
Hang it, I know where the mystery is, now; when you are reading, you
glide right along, and I don't get a chance to let the things soak home;
but when I catch it in the magazine, I give a page 20 or 30 minutes in
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