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a saint, and the footprints a saint has left upon a stone he chanced to
stand upon, be holy, surely the spot where a man gave up his life for his
faith is holy.
Seventeen or eighteen centuries ago this Coliseum was the theatre of
Rome, and Rome was mistress of the world. Splendid pageants were
exhibited here, in presence of the Emperor, the great ministers of State,
the nobles, and vast audiences of citizens of smaller consequence.
Gladiators fought with gladiators and at times with warrior prisoners
from many a distant land. It was the theatre of Rome--of the world--and
the man of fashion who could not let fall in a casual and unintentional
manner something about "my private box at the Coliseum" could not move
in
the first circles. When the clothing-store merchant wished to consume
the corner grocery man with envy, he bought secured seats in the front
row and let the thing be known. When the irresistible dry goods clerk
wished to blight and destroy, according to his native instinct, he got
himself up regardless of expense and took some other fellow's young lady
to the Coliseum, and then accented the affront by cramming her with ice
cream between the acts, or by approaching the cage and stirring up the
martyrs with his whalebone cane for her edification. The Roman swell was
in his true element only when he stood up against a pillar and fingered
his moustache unconscious of the ladies; when he viewed the bloody
combats through an opera-glass two inches long; when he excited the envy
of provincials by criticisms which showed that he had been to the
Coliseum many and many a time and was long ago over the novelty of it;
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