The Innocents Abroad


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a saint, and the footprints a saint has left upon a stone he chanced to  
stand upon, be holy, surely the spot where a man gave up his life for his  
faith is holy.  
Seventeen or eighteen centuries ago this Coliseum was the theatre of  
Rome, and Rome was mistress of the world. Splendid pageants were  
exhibited here, in presence of the Emperor, the great ministers of State,  
the nobles, and vast audiences of citizens of smaller consequence.  
Gladiators fought with gladiators and at times with warrior prisoners  
from many a distant land. It was the theatre of Rome--of the world--and  
the man of fashion who could not let fall in a casual and unintentional  
manner something about "my private box at the Coliseum" could not move  
in  
the first circles. When the clothing-store merchant wished to consume  
the corner grocery man with envy, he bought secured seats in the front  
row and let the thing be known. When the irresistible dry goods clerk  
wished to blight and destroy, according to his native instinct, he got  
himself up regardless of expense and took some other fellow's young lady  
to the Coliseum, and then accented the affront by cramming her with ice  
cream between the acts, or by approaching the cage and stirring up the  
martyrs with his whalebone cane for her edification. The Roman swell was  
in his true element only when he stood up against a pillar and fingered  
his moustache unconscious of the ladies; when he viewed the bloody  
combats through an opera-glass two inches long; when he excited the envy  
of provincials by criticisms which showed that he had been to the  
Coliseum many and many a time and was long ago over the novelty of it;  
312  


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