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stretch upward farther than ever toward the heavens, the memory of a cave
I used to know at home was always in my mind, with its lofty passages,
its silence and solitude, its shrouding gloom, its sepulchral echoes, its
flitting lights, and more than all, its sudden revelations of branching
crevices and corridors where we least expected them.
We are not tired of the endless processions of cheerful, chattering
gossipers that throng these courts and streets all day long, either; nor
of the coarse-robed monks; nor of the "Asti" wines, which that old doctor
(whom we call the Oracle,) with customary felicity in the matter of
getting everything wrong, misterms "nasty." But we must go,
nevertheless.
Our last sight was the cemetery (a burial place intended to accommodate
60,000 bodies,) and we shall continue to remember it after we shall have
forgotten the palaces. It is a vast marble collonaded corridor extending
around a great unoccupied square of ground; its broad floor is marble,
and on every slab is an inscription--for every slab covers a corpse. On
either side, as one walks down the middle of the passage, are monuments,
tombs, and sculptured figures that are exquisitely wrought and are full
of grace and beauty. They are new and snowy; every outline is perfect,
every feature guiltless of mutilation, flaw, or blemish; and therefore,
to us these far-reaching ranks of bewitching forms are a hundred fold
more lovely than the damaged and dingy statuary they have saved from the
wreck of ancient art and set up in the galleries of Paris for the worship
of the world.
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