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three hundred feet; he came back and got a man and carried him across; he
returned to the center and danced a jig; next he performed some gymnastic
and balancing feats too perilous to afford a pleasant spectacle; and he
finished by fastening to his person a thousand Roman candles, Catherine
wheels, serpents and rockets of all manner of brilliant colors, setting
them on fire all at once and walking and waltzing across his rope again
in a blinding blaze of glory that lit up the garden and the people's
faces like a great conflagration at midnight.
The dance had begun, and we adjourned to the temple. Within it was a
drinking saloon, and all around it was a broad circular platform for the
dancers. I backed up against the wall of the temple, and waited. Twenty
sets formed, the music struck up, and then--I placed my hands before my
face for very shame. But I looked through my fingers. They were dancing
the renowned "Can-can." A handsome girl in the set before me tripped
forward lightly to meet the opposite gentleman, tripped back again,
grasped her dresses vigorously on both sides with her hands, raised them
pretty high, danced an extraordinary jig that had more activity and
exposure about it than any jig I ever saw before, and then, drawing her
clothes still higher, she advanced gaily to the center and launched a
vicious kick full at her vis-a-vis that must infallibly have removed his
nose if he had been seven feet high. It was a mercy he was only six.
That is the can-can. The idea of it is to dance as wildly, as noisily,
as furiously as you can; expose yourself as much as possible if you are a
woman; and kick as high as you can, no matter which sex you belong to.
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