The Iliad of Homer


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INTRODUCTION.  
Scepticism is as much the result of knowledge, as knowledge is of  
scepticism. To be content with what we at present know, is, for the most  
part, to shut our ears against conviction; since, from the very gradual  
character of our education, we must continually forget, and emancipate  
ourselves from, knowledge previously acquired; we must set aside old  
notions and embrace fresh ones; and, as we learn, we must be daily  
unlearning something which it has cost us no small labour and anxiety to  
acquire.  
And this difficulty attaches itself more closely to an age in which  
progress has gained a strong ascendency over prejudice, and in which  
persons and things are, day by day, finding their real level, in lieu of  
their conventional value. The same principles which have swept away  
traditional abuses, and which are making rapid havoc among the revenues of  
sinecurists, and stripping the thin, tawdry veil from attractive  
superstitions, are working as actively in literature as in society. The  
credulity of one writer, or the partiality of another, finds as powerful a  
touchstone and as wholesome a chastisement in the healthy scepticism of a  
temperate class of antagonists, as the dreams of conservatism, or the  
impostures of pluralist sinecures in the Church. History and tradition,  
whether of ancient or comparatively recent times, are subjected to very  
different handling from that which the indulgence or credulity of former  
ages could allow. Mere statements are jealously watched, and the motives  
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