13 | 14 | 15 | 16 | 17 |
1 | 245 | 490 | 735 | 980 |
will ever remain concealed."
Such are the words in which one of the most judicious German critics has
eloquently described the uncertainty in which the whole of the Homeric
question is involved. With no less truth and feeling he proceeds:--
"It seems here of chief importance to expect no more than the nature of
things makes possible. If the period of tradition in history is the region
of twilight, we should not expect in it perfect light. The creations of
genius always seem like miracles, because they are, for the most part,
created far out of the reach of observation. If we were in possession of
all the historical testimonies, we never could wholly explain the origin
of the Iliad and the Odyssey; for their origin, in all essential points,
must have remained the secret of the poet." (16)
From this criticism, which shows as much insight into the depths of human
nature as into the minute wire-drawings of scholastic investigation, let
us pass on to the main question at issue. Was Homer an individual?(17) or
were the Iliad and Odyssey the result of an ingenious arrangement of
fragments by earlier poets?
Well has Landor remarked: "Some tell us there were twenty Homers; some
deny that there was ever one. It were idle and foolish to shake the
contents of a vase, in order to let them settle at last. We are
perpetually labouring to destroy our delights, our composure, our devotion
to superior power. Of all the animals on earth we least know what is good
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