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their old rut and the mystery have lost the bulk of its romantic
sublimity in Laura's eyes, if the village gossips could have quieted
down. But they could not quiet down and they did not. Day after day
they called at the house, ostensibly upon visits of condolence, and they
pumped away at the mother and the children without seeming to know that
their questionings were in bad taste. They meant no harm they only
wanted to know. Villagers always want to know.
The family fought shy of the questionings, and of course that was high
testimony "if the Duchess was respectably born, why didn't they come out
and prove it?--why did they, stick to that poor thin story about picking
her up out of a steamboat explosion?"
Under this ceaseless persecution, Laura's morbid self-communing was
renewed. At night the day's contribution of detraction, innuendo and
malicious conjecture would be canvassed in her mind, and then she would
drift into a course of thinking. As her thoughts ran on, the indignant
tears would spring to her eyes, and she would spit out fierce little
ejaculations at intervals. But finally she would grow calmer and say
some comforting disdainful thing--something like this:
"But who are they?--Animals! What are their opinions to me? Let them
talk--I will not stoop to be affected by it. I could hate----.
Nonsense--nobody I care for or in any way respect is changed toward me,
I fancy."
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