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I soon discovered that writing a play was a longer business than I had
supposed; at first I had reckoned ten days for it, and it was to have a
pied-a-terre while it was in hand that I came to Lympne. I reckoned myself
lucky in getting that little bungalow. I got it on a three years'
agreement. I put in a few sticks of furniture, and while the play was in
hand I did my own cooking. My cooking would have shocked Mrs. Bond. And
yet, you know, it had flavour. I had a coffee-pot, a sauce-pan for eggs,
and one for potatoes, and a frying-pan for sausages and bacon--such was
the simple apparatus of my comfort. One cannot always be magnificent, but
simplicity is always a possible alternative. For the rest I laid in an
eighteen-gallon cask of beer on credit, and a trustful baker came each
day. It was not, perhaps, in the style of Sybaris, but I have had worse
times. I was a little sorry for the baker, who was a very decent man
indeed, but even for him I hoped.
Certainly if any one wants solitude, the place is Lympne. It is in the
clay part of Kent, and my bungalow stood on the edge of an old sea cliff
and stared across the flats of Romney Marsh at the sea. In very wet
weather the place is almost inaccessible, and I have heard that at times
the postman used to traverse the more succulent portions of his route with
boards upon his feet. I never saw him doing so, but I can quite imagine
it. Outside the doors of the few cottages and houses that make up the
present village big birch besoms are stuck, to wipe off the worst of the
clay, which will give some idea of the texture of the district. I doubt if
the place would be there at all, if it were not a fading memory of things
gone for ever. It was the big port of England in Roman times, Portus
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