The Fall of the House of Usher


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principal feature seemed to be that of an excessive antiquity.  
The discoloration of ages had been great. Minute fungi  
overspread the whole exterior, hanging in a fine tangled web-work  
from the eaves. Yet all this was apart from any extraordinary  
dilapidation. No portion of the masonry had fallen; and there  
appeared to be a wild inconsistency between its still perfect  
adaptation of parts, and the crumbling condition of the  
individual stones. In this there was much that reminded me of  
the specious totality of old wood-work which has rotted for long  
years in some neglected vault, with no disturbance from the  
breath of the external air. Beyond this indication of  
extensive decay, however, the fabric gave little token of  
instability. Perhaps the eye of a scrutinizing observer might  
have discovered a barely perceptible fissure, which, extending  
from the roof of the building in front, made its way down the  
wall in a zigzag direction, until it became lost in the sullen  
waters of the tarn.  
Noticing these things, I rode over a short causeway to the  
house. A servant in waiting took my horse, and I entered the  
Gothic archway of the hall. A valet, of stealthy step, thence  
conducted me, in silence, through many dark and intricate  
passages in my progress to the studio of his master. Much  
that I encountered on the way contributed, I know not how, to  
heighten the vague sentiments of which I have already spoken.  
While the objects around me--while the carvings of the ceilings,  
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Quick Jump
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