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to get the idea of the subject, and warm them up like a camp-meeting
revival. That sort of thing would corral their sympathies, the showman
said.
"
There was a big audience that night-mostly middle-aged and old people
who belong to the church, and took a strong interest in Bible matters,
and the balance were pretty much young bucks and heifers--they always
come out strong on panoramas, you know, because it gives them a chance to
taste one another's complexions in the dark.
"
Well, the showman began to swell himself up for his lecture, and the old
mud-Jobber tackled the piano and ran his fingers up and down once or
twice to see that she was all right, and the fellows behind the curtain
commenced to grind out the panorama. The showman balanced his weight on
his right foot, and propped his hands over his hips, and flung his eyes
over his shoulder at the scenery, and said:
"
'Ladies and gentlemen, the painting now before you illustrates the
beautiful and touching parable of the Prodigal Son. Observe the happy
expression just breaking over the features of the poor, suffering youth
--so worn and weary with his long march; note also the ecstasy beaming
from the uplifted countenance of the aged father, and the joy that
sparkles in the eyes of the excited group of youths and maidens, and
seems ready to burst into the welcoming chorus from their lips. The
lesson, my friends, is as solemn and instructive as the story is tender
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