Sketches New and Old


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illustrated it with villainous cuts engraved on the bottoms of wooden  
type with a jackknife--one of them a picture of Higgins wading out into  
the creek in his shirt, with a lantern, sounding the depth of the water  
with a walking-stick. I thought it was desperately funny, and was  
densely unconscious that there was any moral obliquity about such a  
publication. Being satisfied with this effort I looked around for other  
worlds to conquer, and it struck me that it would make good, interesting  
matter to charge the editor of a neighboring country paper with a piece  
of gratuitous rascality and "see him squirm."  
I did it, putting the article into the form of a parody on the "Burial of  
Sir John Moore"--and a pretty crude parody it was, too.  
Then I lampooned two prominent citizens outrageously--not because they  
had done anything to deserve, but merely because I thought it was my duty  
to make the paper lively.  
Next I gently touched up the newest stranger--the lion of the day, the  
gorgeous journeyman tailor from Quincy. He was a simpering coxcomb of  
the first water, and the "loudest" dressed man in the state. He was an  
inveterate woman-killer. Every week he wrote lushy "poetry" for the  
journal, about his newest conquest. His rhymes for my week were headed,  
"To MARY IN H--l," meaning to Mary in Hannibal, of course. But while  
setting up the piece I was suddenly riven from head to heel by what I  
regarded as a perfect thunderbolt of humor, and I compressed it into a  
snappy footnote at the bottom--thus: "We will let this thing pass, just  
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